Jakarta Increases International Tourist Visits through Arabian Travel Market Dubai 2024

19 Jun 2024 Blog

The Jakarta Provincial Government, through the Jakarta Tourism and Creative Economy Department (Disparekraf), is set to boost international tourist visits to Jakarta by participating in the Arabian Travel Market (ATM) Dubai 2024.

ATM Dubai, recognized as a premier platform for tourism and travel industry professionals worldwide, took place from May 6-9, 2024, at the Dubai World Trade Centre in the United Arab Emirates.

This event, one of the largest travel and tourism exhibitions in the Middle East, is anticipated to attract over 39,000 professionals from 150 countries.

“ATM Dubai is known as the main platform for meeting and networking among tourism and travel industry professionals from around the world, introducing new products and discussing the latest trends,” said Andhika Permata, Head of Jakarta Tourism and Creative Economy Department. “Our participation in this event aims to expand Jakarta’s reach and strengthen international relations.”

The Jakarta Provincial Government’s engagement at ATM Dubai 2024 aligns with broader objectives set by the Ministry of Tourism and Creative Economy, targeting increased visits from Middle Eastern tourists, bolstering domestic economic recovery, and contributing to the creation of 4.4 million jobs by 2024.

Andhika added, “The Provincial Government of Jakarta, in collaboration with the Ministry of Tourism and Creative Economy, aims to attract 95 to 143 million international tourist visits to Indonesia by 2024.”

Participation in ATM Dubai 2024 will also focus on promoting Jakarta as a prime recreational tourism destination, enhancing global market relations, and expanding business networks between Jakarta tourism enterprises and the international community. The ultimate goal is to position Jakarta as the top tourist destination for Middle Eastern visitors.

Representing Jakarta at the event are five tour operators or travel agents and three hotels, offering a range of tailored tour packages for the Middle East market. These packages highlight leisure tourism, with key attractions like Kepulauan Seribu and the new Pantai Indah Kapuk, as well as sports tourism, particularly golf.

For more information, please contact:

Dinas Pariwisata dan Ekonomi Kreatif DKI Jakarta

Jalan Kuningan Barat No. 2, Mampang Prapatan, Jakarta Selatan

Telp: (021) 520-5455, 520-9677 Fax: (021) 520-9671, 522-9136

Website: http://jakarta-tourism.go.id | Email: kadisparekraf.dki@gmail.com

Importance Of PR In Today’s Creator Economy

19 Jun 2024 Blog

The creative industry has emerged as a significant influence on public relations and the creative industries, but its content remains unknown and varies among stakeholders. This challenge reflects the diversity of people and businesses in this emerging market.

Understanding its origins, defining its players, knowing its scope, and predicting its future is important for brands looking to adopt a PR approach in an ever-changing environment. The origins of the business can be traced back to the early 2000s, when “mom bloggers” began reviewing pacifiers, strollers and other products online. These early creators shared their experiences with other parents, laying the foundation for a strong and profitable business.

The launch of the YouTube Partner Program in 2007 was a breakthrough, allowing creators to launch directly from their video content. This measure transforms commercial marketing into a business model that allows people to monetize their creative ideas. These social media sites provide a new way for people to build their brands and reach a wider audience. Influencers are starting to use these platforms to share lifestyle content, fashion tips, and more. These developments have allowed the business to become a strong foundation for people to get the most out of social media. However, developers are still tied to the terms of the platform they are using, and changing regulations can quickly change their fate. The definition of a customer can be illusory.

The question arises: Is there a hierarchy in a developed society, is there a hierarchy? Can a product be considered a designer? Can you be impressive without being creative?

THE FIFTH COO Jess Markwood has a succinct answer to one of these questions: Social media users are only one type. This idea helps clear up some confusion. He later worked at Glam Media, one of the first businesses to see the opportunity to work with small content creators. Back then, content creation was driven by passion and business marketing focused primarily on advertising. At the same time, producers began to realize the impact of their votes and the opportunity to make money. This recognition has led many people to go beyond social media and create their brands and brands.

Many developers have begun to build communities and businesses around themselves to gain independence and a stable income. Founded by Jack Conte in 2013, Patreon supports this by offering creators a platform to monetize their work without sacrificing freedom. This model allows developers to continue working hard and control their content; This fact is a huge change from the commercial brokerage industry. The visitor sector includes many events and participants, each of which has value, whether financial or artistic. Celebrities like the Kardashians and many of the professionals behind projects like Adele’s music videos or Netflix productions are a part of the creative industry. This detail shows the various uses and effects of job enhancers.

Car Wow started as a car buying and selling company and grew into one of the most viewed websites in the world by creating affiliate content. This change shows that companies can change their role in the producer market. Instead, traditional creators like Cosmo and Good Home Care have proven the validity of their business by amplifying the PR of their products. And content-specific software development is an important part of a developer’s job. These tools enable developers to create quality content, making them an integral part of the expanding ecosystem.

The introduction of the business-building tool has been delayed, but the consequences are clear as the lines between B2B and B2C are blurred. The main problem for B2B companies is finding the right content for marketing campaigns. B2C and B2B audiences generally do not like to be sold to, and having an honest person to manage their sites is essential. Promoting irrelevant products can quickly erode trust and damage the creator’s reputation.

Many founders are small business owners, but their target audience may not want a particular product. FIFTH identifies marketers with a small group of relevant users and shows them how to create great content. This approach clearly shows that social media can be a powerful tool for B2B marketing, but success must be paired with a PR strategy.

The definition of a business developer may not be easy, but a few characteristics are clear: size, constant change, and constant change. These features suggest that the developer’s business will continue to grow and may move away from traditional platforms. New-generation public relations approaches reflect this change; Many people want to become YouTubers and producers instead of looking for traditional jobs. Creators are launching their websites, podcasts, and products, reminiscent of the early days of blogging. This change reflects the evolution of business creators who emphasize personal freedom and creative freedom.

At its core, content creation represents a major shift in the way content is created, monetized, and consumed. The impact on the PR and creative industries is significant and requires brands to continue and innovate. By understanding its history, identifying its players, realizing its scope, and anticipating its future, brands can create effective PR strategies that deliver results by taking advantage of the unique opportunities provided by the business developer.

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